Description
48" x 48" x 1.5”. Acrylic, oil pastel, ink, charcoal, and pumice on gallery-wrapped canvas by Wendy Pabich.
Know how to walk yourself home.
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Alchemy of Spring
30" x 40" x 1.5”. Acrylic, oil pastel, and charcoal on gallery-wrapped canvas by Wendy Pabich. the soil is laden with the barbs of little children crying out from their own bruises, a tribe’s rejection for hair too dark or words spoken too softly or the whiff of an independent heart,contemptuous glances for truth-telling. its delicate structures—pores and clumps, horizons and layers—are built of a mother’s sweet song, warm bread, tangy cheese, and earthy wine, unbridled laughter and love peeling ‘round a ring of friends breaking bread. it is weighted with loss—of connection, of body, of ...
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Heart Breakthrough
30" x 40" x 1.5”. Acrylic, oil pastel, and charcoal on gallery-wrapped canvas by Wendy Pabich. The only way out is through.
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Poppy Dreams
30" x 40" x 1.5”. Acrylic, oil pastel, and charcoal on gallery-wrapped canvas by Wendy Pabich.
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Goldbug I
From the Mindfulness collection. 14" x 14" x 1.5”. Acrylic on raised panel by Wendy Pabich. Enroute home from Burning Man, my partner and I climbed two miles up a steep narrow ravine in the Lemhi Range of Idaho to find a high desert hot spring oasis--Goldbug--a chain of a half dozen magical hot pools, draped amongst rocks, waterfalls, and lush ferns and mosses. We had been there a number of times, but this time we chose to submerge ourselves in a lower, cooler pool--one that approximated body temperature--close our eyes, and settle in to what felt like a session in a sensory deprivation ...
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Goldbug II
From the Mindfulness collection. 14" x 14" x 1.5”. Acrylic on raised panel by Wendy Pabich. Enroute home from Burning Man, my partner and I climbed two miles up a steep narrow ravine in the Lemhi Range of Idaho to find a high desert hot spring oasis--Goldbug--a chain of a half dozen magical hot pools, draped amongst rocks, waterfalls, and lush ferns and mosses. We had been there a number of times, but this time we chose to submerge ourselves in a lower, cooler pool--one that approximated body temperature--close our eyes, and settle in to what felt like a session in a sensory deprivation ch...
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Universal Love I
From the There Came a Day collection. 14" x 14" x 1.5”. Acrylic on raised wooden panel by Wendy Pabich. You are a child of the universe,no less than the trees and the stars;you have a right to be here.And whether or not it is clear to you,no doubt the universe is unfolding as it should. ~Max Ehrmann, Desiderata
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Universal Love II
From the There Came a Day collection. 14" x 14" x 1.5”. Acrylic on raised wooden panel by Wendy Pabich. You are a child of the universe,no less than the trees and the stars;you have a right to be here.And whether or not it is clear to you,no doubt the universe is unfolding as it should. ~Max Ehrmann, Desiderata
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Affairs of the Heart
From the There Came a Day collection. 30" x 30" x 1.5”. Acrylic and pastel on raised wood panel by Wendy Pabich. This piece came entirely by intuition and emerged through a process of layering, scraping and mark making. I truly love this one! "And the day came when the risk to remain tight as a bud was more painful than the risk it took to blossom." ~Anais Nin
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Sultry Afternoon
From the There Came a Day collection. 30" x 30" x 1.5”. Acrylic and china marker on gallery-wrapped canvas by Wendy Pabich. This intuitive piece was born of a sense of color, and brought to life using the rounded end of a foam roller to evoke leaves and flowers, followed by application of thick, opaque paint and china marker to highlight and ground the objects. "And the day came when the risk to remain tight as a bud was more painful than the risk it took to blossom." ~Anais Nin
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Awakening I
From the There Came a Day collection. 30" x 30" x 1.5”. Acrylic and pumice on gallery-wrapped canvas by Wendy Pabich. This piece speaks of spring--with it's gentle colors and slow awakening--and radiates a sense of tranquility. "And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom." ~Anais Nin
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Fire in the Belly
From the Burst collection. 40" x 30" x 1.5”. Acrylic on gallery-wrapped canvas by Wendy Pabich. After a belabored start, I revised my outlook and approach to this piece, dropping preconceived notions and expectations, and instead, following an impulse to cover the canvas in brilliant colors. Using rudimentary scraping tools, I pulled layer upon layer of color across the canvas, allowing the paint to alternatively cover and reveal, cover and reveal. Once I was able to allow it to flow, the piece become one of joy, full of lush, happy colors.
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Blossom
From the There Came a Day collection. 30" x 40" x 1.5”. Acrylic and china marker on gallery-wrapped canvas by Wendy Pabich. This painting arose from a sentiment of spring, a longing for soft, warm air and the smell of blossoms, and an intuitive hit of pink. Using the rounded end of a soft foam roller, I sculpted, swirled and dabbed paint into blossoms and leaves, applying opaque color as background in later steps, a reverse process which resulted in an almost mysterious unveiling of final form. "And the day came when the risk to remain tight as a bud was more painful than the risk it to...
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